Cyrus shares that their last chat centered on the record that eventually became “Bass Persuades,” and she has subsequently paid tribute to Parton live at the Hollywood Bowl.
Miley Cyrus has disclosed that her final dialogue with godmother Dolly Parton centered around the music shaping her 10th studio album, “Bass Persuades.” According to Cyrus, she had been playing the upcoming tracks for the country icon shortly before Parton passed away in August.
Cyrus discussed the conversation with Zane Lowe in an Apple Music interview released on Sept. 17, the day before the album came out. Recalling their last exchange, she said “it was actually me telling her about this record.” Since then, Cyrus has turned her grief into a recurring part of her public appearances, most visibly at her October concert at the Hollywood Bowl in Los Angeles.
In the interview, taped at Apple Music’s Los Angeles studio, Cyrus shared that Parton had consistently been the initial recipient of a vinyl pressing for every fresh record she produced. She mentioned her ongoing intention to dispatch one for this project as well, striving to keep her composure throughout the discussion, CNN reported.
Their last talk, Cyrus said, touched on how different the two of them were as performers, and how those differences made them a good match. She described Parton as someone who was nearly always right in her advice, including during low periods when she encouraged Cyrus to get dressed up, get her hair done and go back on stage.
She additionally reflected upon the way Parton managed celebrity status. Cyrus observed that Parton was renowned for the artifice inherent in her public image—her voluminous hair and signature makeup—and stated that this example assisted her in grasping how an onstage persona and a private identity are able to coexist peacefully, ensuring neither eclipses the other.
Cyrus also recounted a call she received after Parton saw her cry while singing “End of the World” on David Letterman’s interview series “My Next Guest Needs No Introduction.” According to Cyrus, Parton told her that music is an escape for audiences and that she should let the listeners do the crying. Cyrus said she answered that showing emotion was simply who she is, and that Parton accepted her for it.
The bond between the two dates back to Cyrus’ childhood. Parton became her godmother through her friendship with Cyrus’ father, country singer Billy Ray Cyrus, and was a guiding presence during Cyrus’ years on “Hannah Montana,” the Disney Channel series that made her famous. Over the years they performed together often, including on Cyrus’ NBC New Year’s Eve specials.
Parton died on Tuesday, Aug. 25, in Nashville at age 80. Her nephew and longtime head of security, Bryan Seaver, announced the news in a video on behalf of the Parton and Owens families, calling the moment “an honor that is mixed with absolute pride and great sadness,” Billboard reported. Her representatives later told People that she had died after a brief battle with cancer at Vanderbilt-Ingram Cancer Center, where she had been admitted four days earlier; the type of cancer was not disclosed.
Her decline had been visible for months. In May, she called off a planned Las Vegas residency, citing unspecified health problems, and her last public appearance came in June at the opening of her Tennessean Travel Stop in Cornersville, Tennessee. Parton had also been grieving her husband, Carl Dean, who died in March 2025. The family planned a private service and asked admirers to donate to Dolly Parton’s Imagination Library, her children’s book program, instead of sending flowers.
Cyrus responded publicly the following morning through an Instagram post, sharing that the passing of her “Aunt Dolly” was an experience too profound to fully articulate. She concluded her message with a heartfelt pledge: “I will always love her and want to make her proud.”
That pledge formed the emotional core of Cyrus’ performance at the Hollywood Bowl on Friday, Oct. 16, serving as one of a pair of concerts booked there to mark the upcoming record. The LP and the Los Angeles performances were both revealed at the beginning of September, roughly seven days following Parton’s passing. She delivered Parton’s “Jolene” and, amidst weeping, discussed sensing her godmother’s spirit. “Me and Dolly, we are eternal,” she told the crowd, ABC7 reported. She went on to mention that she anticipated meeting Parton once more.
Cyrus additionally shared with the crowd that Parton had previously asked her to perform alongside her at that very location, though she turned down the offer to experience the concert purely as an attendee.
During the same show, according to American Songwriter, Cyrus described what she believes was a sign from Parton. She said she was alone with a Parton mannequin that the singer had given her as a Christmas present, played “Jolene,” lit a candle and silently asked for the lights to flicker if Parton was there, and that lights down the hallway then flickered. She said members of her band saw it happen.
The record Cyrus described to her godmother in their final conversation arrived less than four weeks after Parton’s death, and each stop in its promotion, from the Apple Music interview to the Hollywood Bowl stage, has also become a moment for Cyrus to speak about the woman she calls Aunt Dolly.
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